{"id":197,"date":"2019-04-02T19:07:52","date_gmt":"2019-04-02T17:07:52","guid":{"rendered":"http:\/\/constanceluzzati.com\/?p=197"},"modified":"2019-04-02T19:09:43","modified_gmt":"2019-04-02T17:09:43","slug":"du-clavecin-vers-la-harpe","status":"publish","type":"post","link":"https:\/\/constanceluzzati.com\/index.php\/2019\/04\/02\/du-clavecin-vers-la-harpe\/","title":{"rendered":"Du clavecin vers la harpe, doctorat"},"content":{"rendered":"\n<p style=\"color:#0372a2\" class=\"has-text-color\"><em>Du clavecin vers la harpe, transcription du r\u00e9pertoire fran\u00e7ais du XVIII\u00e8me si\u00e8cle<\/em>, Th\u00e8se de Doctorat, CNSMDP \/ Paris IV Sorbonne, 2014.<\/p>\n\n\n\n<p>Le r\u00e9pertoire original pour harpe est relativement restreint. Deux voies permettent de concourir \u00e0 son accroissement&nbsp;: la cr\u00e9ation contemporaine d\u2019une part, et la transcription d\u2019autre part. La pr\u00e9sente \u00e9tude&nbsp;interroge le rapport entre les&nbsp;<em>habitus<\/em>anciens et une pratique actuelle de transcription, depuis le r\u00e9pertoire de clavecin fran\u00e7ais du XVIII\u00e8me si\u00e8cle vers la harpe. La transcription est ici consid\u00e9r\u00e9e comme une pratique non not\u00e9e qui rel\u00e8ve de l\u2019interpr\u00e9tation, et qui partage avec celle-ci, comme avec la traduction, des probl\u00e9matiques fondamentales&nbsp; en apparence antinomiques&nbsp;: esprit et lettre, idiomatisme et fid\u00e9lit\u00e9. Elle confronte l\u2019interpr\u00e8te \u00e0 ses propres limites ainsi qu\u2019\u00e0 celles de son instrument, et favorise la rencontre avec l\u2019alt\u00e9rit\u00e9 d\u2019une \u00e9criture d\u00e9pourvue de gestes familiers. La transcription constitue l\u2019un des moyens privil\u00e9gi\u00e9s de compr\u00e9hension du r\u00e9pertoire transcrit, de l\u2019instrument de destination, et du rapport de l\u2019interpr\u00e8te \u00e0 son instrument.&nbsp;<\/p>\n\n\n\n<p>La transcription du r\u00e9pertoire de clavecin fran\u00e7ais pour harpe sera envisag\u00e9e tout d\u2019abord sous un angle historique, puis \u00e0 travers les interrogations de nature esth\u00e9tique que suscite l\u2019antagonisme entre idiomatisme et fid\u00e9lit\u00e9, enfin la question des limites et impossibilit\u00e9s sera interrog\u00e9e selon une approche technique et pratique.<\/p>\n\n\n\n<div class=\"wp-block-file\"><a href=\"http:\/\/constanceluzzati.com\/wp-content\/uploads\/2019\/04\/th\u00e8se-de-doctorat-Constance-Luzzati.pdf\">th\u00e8se de doctorat Constance Luzzati<\/a><a href=\"http:\/\/constanceluzzati.com\/wp-content\/uploads\/2019\/04\/th\u00e8se-de-doctorat-Constance-Luzzati.pdf\" class=\"wp-block-file__button\" download>Download<\/a><\/div>\n\n\n\n<p><a href=\"http:\/\/www.conservatoiredeparis.fr\/la-recherche\/theses-memoires-et-travaux\/\">http:\/\/www.conservatoiredeparis.fr\/la-recherche\/theses-memoires-et-travaux\/<\/a><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Du clavecin vers la harpe, transcription du r\u00e9pertoire fran\u00e7ais du XVIII\u00e8me si\u00e8cle, Th\u00e8se de Doctorat, CNSMDP \/ Paris IV Sorbonne, [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_uag_custom_page_level_css":"","_monsterinsights_skip_tracking":false,"_monsterinsights_sitenote_active":false,"_monsterinsights_sitenote_note":"","_monsterinsights_sitenote_category":0,"site-sidebar-layout":"default","site-content-layout":"","ast-site-content-layout":"","site-content-style":"default","site-sidebar-style":"default","ast-global-header-display":"","ast-banner-title-visibility":"","ast-main-header-display":"","ast-hfb-above-header-display":"","ast-hfb-below-header-display":"","ast-hfb-mobile-header-display":"","site-post-title":"","ast-breadcrumbs-content":"","ast-featured-img":"","footer-sml-layout":"","theme-transparent-header-meta":"","adv-header-id-meta":"","stick-header-meta":"","header-above-stick-meta":"","header-main-stick-meta":"","header-below-stick-meta":"","astra-migrate-meta-layouts":"default","ast-page-background-enabled":"default","ast-page-background-meta":{"desktop":{"background-color":"var(--ast-global-color-4)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"tablet":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"mobile":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""}},"ast-content-background-meta":{"desktop":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"tablet":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"mobile":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""}},"_jetpack_memberships_contains_paid_content":false,"footnotes":""},"categories":[9,8],"tags":[39,32,37,33,38,10,12,35,36,31,34],"class_list":["post-197","post","type-post","status-publish","format-standard","hentry","category-harpe","category-musique-ancienne-et-religieuse","tag-aporie","tag-arrangement","tag-authenticite","tag-clavecin","tag-fidelite","tag-harpe","tag-idiomatique","tag-interpretation","tag-traduction","tag-transcription","tag-xviiiems-siecle"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v25.2 - 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