{"id":155,"date":"2019-03-07T07:49:04","date_gmt":"2019-03-07T06:49:04","guid":{"rendered":"http:\/\/constanceluzzati.com\/?p=155"},"modified":"2019-04-02T19:13:06","modified_gmt":"2019-04-02T17:13:06","slug":"claude-goudimel","status":"publish","type":"post","link":"https:\/\/constanceluzzati.com\/index.php\/2019\/03\/07\/claude-goudimel\/","title":{"rendered":"Claude Goudimel"},"content":{"rendered":"\n

\u00ab Le plus doux travail de ma vie guidant mon esp\u00e9rance aux cieux. \u00bb <\/em><\/p>\n\n\n\n

Si Claude Goudimel est aujourd\u2019hui l\u2019un des compositeurs les plus embl\u00e9matiques de la R\u00e9forme au XVI\u00e8me<\/sup>si\u00e8cle, il n\u2019est pas ais\u00e9 de d\u00e9terminer par quel chemin il y est arriv\u00e9.<\/p>\n\n\n\n

\"\"<\/figure>\n\n\n\n

Goudimel est n\u00e9 \u00e0 Besan\u00e7on vers 1520, et mort lors de la Saint Barth\u00e9l\u00e9my \u00e0 Lyon. Associ\u00e9 \u00e0 partir de 1549 avec l\u2019imprimeur parisien du Chemin, il est le correcteur des chansons polyphoniques profanes \u00e9dit\u00e9es dans des recueils dont il est, apr\u00e8s Cl\u00e9ment Janequin, le contributeur principal. Il fait entrer chez son \u00e9diteur des compositeurs (P. Jambe de fer et M.A. Muret) acquis \u00e0 la R\u00e9forme d\u00e8s 1552 : hasard, ou fait r\u00e9v\u00e9lateur de sa fr\u00e9quentation des cercles r\u00e9form\u00e9s ?<\/p>\n\n\n\n

Son Premier livre de psaumes en forme de motets<\/em>para\u00eet en 1551, suivi de sept autres. Il compose sur la traduction de Marot une musique digne des grands motets catholiques, en plusieurs parties \u00e0 la polyphonie complexe, destin\u00e9s \u00e0 des chantres professionnels. Le fait qu\u2019il ait compos\u00e9 sur des psaumes en fran\u00e7ais n\u2019est pas suffisant pour le proclamer r\u00e9form\u00e9 d\u00e8s 1551, d\u2019autant plus qu\u2019il compose plus tard cinq messes et des motets catholiques. Par ailleurs, les compositeurs protestants ont toujours \u00e9crit aussi de la musique catholique (Bach en t\u00eate), et certains compositeurs catholiques, de la musique en langue vulgaire. Cependant, la pr\u00e9face de ce premier livre de psaumes t\u00e9moigne d\u2019une forme de conversion : \u00ab  Nous voyons [la musique] aujourd\u2019huy par lascives, sales, et impudiques chansons tant desprav\u00e9e, et desguis\u00e9e, que maints bons espritz se sont du tout corrompus, et effeminez. Ie ne veux pour cela accuser ceulx qui se sont exercez \u00e0 composer Mottetz, Psalmes, et cantiques saincts, et fideles : \u00e0 l\u2019imitation desquelz inspir\u00e9 d\u2019un bon vouloir, et affection chrestienne, me suis mis en debvoir de publier les louanges du Createur. \u00bb Ce qui ne l\u2019emp\u00eachera pas de continuer \u00e0 publier des chansons \u00ab lascives et impudiques \u00bb pendant encore quatre ann\u00e9es, et de collaborer avec Certon, Janequin et Muret pour le suppl\u00e9ment musical aux Amours<\/em>de Ronsard (1552). On peut faire l\u2019hypoth\u00e8se que Muret, compositeur, mais surtout po\u00e8te et grand latiniste, condamn\u00e9 pour h\u00e9r\u00e9sie d\u00e8s 1553, a contribu\u00e9 \u00e0 faire d\u00e9couvrir les id\u00e9es r\u00e9form\u00e9es \u00e0 Goudimel.<\/p>\n\n\n\n

Il d\u00e9m\u00e9nage \u00e0 Metz en 1557, o\u00f9 il fait partie des c\u00e9nacles r\u00e9form\u00e9s, tr\u00e8s actifs dans cette ville. Il est li\u00e9, par des parrainages et par les d\u00e9dicaces de ses \u0153uvres, \u00e0 des familles protestantes (A. Senneton, L. des Masures). Il d\u00e9veloppe un genre de musique nouveau : le psaume \u00e0 quatre voix en contrepoint simple. L\u2019harmonisation est \u00ab note contre note \u00bb : toutes les voix chantent au m\u00eame rythme, ce qui rend l\u2019ex\u00e9cution ais\u00e9e et le texte tr\u00e8s intelligible. Goudimel met ainsi en musique l\u2019int\u00e9gralit\u00e9 du psautier en 1564, construisant sa polyphonie sur les m\u00e9lodies du tout r\u00e9cent psautier genevois, achev\u00e9 en 1562. Ils ne sont pas destin\u00e9s au chant liturgique, mais \u00e0 l\u2019\u00e9dification domestique : \u00ab Nous avons adjoust\u00e9 au chant des Pseaumes, en ce petit volume, trois parties : non pas pour induire \u00e0 les chanter en l\u2019Eglise, mais pour s\u2019esjouir en Dieu particuli\u00e8rement \u00e8s maisons. [\u2026] \u00bb<\/p>\n\n\n\n

Les Psaumes en contrepoint fleuri<\/em>(1668) sont moins conformes \u00e0 la perspective calviniste : la m\u00e9lodie du psautier persiste, mais elle est entour\u00e9e de voix plus dens\u00e9ment \u00e9crites, susceptibles de masquer le texte. Mais ils sont plus \u00ab orthodoxes \u00bb que les tr\u00e8s beaux Cantiques spirituels<\/em>que Goudimel compose avec le po\u00e8te des Masures, qui est habituellement publi\u00e9 \u00e0 Gen\u00e8ve, mais s\u2019y est vu refuser ces cantiques en musique, trop \u00e9loign\u00e9s psautier. Si ces cantiques mettront longtemps \u00e0 \u00eatre diffus\u00e9s dans les \u00e9glises suisses, les psautiers harmonis\u00e9s outrepasseront leur usage domestique d\u00e8s la fin du XVII\u00e8me<\/sup>si\u00e8cle. Le texte a depuis \u00e9t\u00e9 modernis\u00e9, mais la musique chant\u00e9e dans les paroisses est encore fr\u00e9quemment celle de Goudimel.<\/p>\n\n\n\n

<\/p>\n\n\n\n

https:\/\/www.evangile-et-liberte.net\/numero\/321\/page\/2\/<\/a><\/p>\n\n\n\n

Pour citer cet article : Constance Luzzati, \u00ab\u00a0Le plus doux travail de ma vie guidant mon esp\u00e9rance aux cieux\u00a0\u00bb, \u00c9vangile et libert\u00e9<\/em>, ao\u00fbt-septembre 2018, n\u00b0321.<\/p>\n","protected":false},"excerpt":{"rendered":"

\u00ab Le plus doux travail de ma vie guidant mon esp\u00e9rance aux cieux. \u00bb Si Claude Goudimel est aujourd\u2019hui l\u2019un des compositeurs […]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_uag_custom_page_level_css":"","_monsterinsights_skip_tracking":false,"_monsterinsights_sitenote_active":false,"_monsterinsights_sitenote_note":"","_monsterinsights_sitenote_category":0,"site-sidebar-layout":"default","site-content-layout":"","ast-site-content-layout":"","site-content-style":"default","site-sidebar-style":"default","ast-global-header-display":"","ast-banner-title-visibility":"","ast-main-header-display":"","ast-hfb-above-header-display":"","ast-hfb-below-header-display":"","ast-hfb-mobile-header-display":"","site-post-title":"","ast-breadcrumbs-content":"","ast-featured-img":"","footer-sml-layout":"","theme-transparent-header-meta":"","adv-header-id-meta":"","stick-header-meta":"","header-above-stick-meta":"","header-main-stick-meta":"","header-below-stick-meta":"","astra-migrate-meta-layouts":"default","ast-page-background-enabled":"default","ast-page-background-meta":{"desktop":{"background-color":"var(--ast-global-color-4)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"tablet":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"mobile":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""}},"ast-content-background-meta":{"desktop":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"tablet":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"mobile":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""}},"_jetpack_memberships_contains_paid_content":false,"footnotes":""},"categories":[8,40],"tags":[24,26],"class_list":["post-155","post","type-post","status-publish","format-standard","hentry","category-musique-ancienne-et-religieuse","category-musique-religieuse","tag-goudimel","tag-psaumes"],"yoast_head":"\nClaude Goudimel - 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