{"id":676,"date":"2020-12-08T10:31:12","date_gmt":"2020-12-08T09:31:12","guid":{"rendered":"http:\/\/constanceluzzati.com\/?page_id=676"},"modified":"2026-04-04T11:04:09","modified_gmt":"2026-04-04T09:04:09","slug":"textes-et-mediation","status":"publish","type":"page","link":"https:\/\/constanceluzzati.com\/index.php\/textes-et-mediation\/","title":{"rendered":"Textes et m\u00e9diation"},"content":{"rendered":"\n

page en cours de reconfiguration<\/p>\n\n\n\n

<\/div>\n\n\n\n

Articles & programmes<\/h3><\/div>\n\n\n\n

Renaissance<\/h4><\/div>\n\n\n\n

Paysages flamands : Arcadie de la diaspora musicale au 16e si\u00e8cle<\/a><\/p>\n\n\n\n

Claude Goudimel<\/a><\/p>\n\n\n\n

Lagrime di san Pietro<\/a><\/p>\n\n\n\n

Enigmatique Sibylle<\/p>\n\n\n\n

Danger ou atout ? Le pouvoir de la musique selon Calvin (1)<\/a><\/p>\n\n\n\n

La musique pour tous selon Calvin (2)<\/a><\/p>\n\n\n\n

Les instruments du diable. La musique selon Calvin (3)<\/a><\/p>\n\n\n\n

<\/div>\n\n\n\n

\u00ab\u00a0Baroque\u00a0\u00bb fran\u00e7ais<\/h4><\/div>\n\n\n\n

Le clavecin de Louis Couperin : un art libre<\/a><\/p>\n\n\n\n

Pleurer avec Orph\u00e9e : la musique pour viole de Louis Couperin et ses contemporains<\/p>\n\n\n\n

Charpentier. L’humanit\u00e9 dans les t\u00e9n\u00e8bres<\/a><\/p>\n\n\n\n

Un ange dans l’\u00e9table : la Nativit\u00e9 selon Charpentier<\/a><\/p>\n\n\n\n

Enchanteresses : \u00e0 l’op\u00e9ra, l’habit (ou la baguette) fait la magicienne<\/a><\/p>\n\n\n\n

Le salon des miroirs<\/a><\/p>\n\n\n\n

Versailles r\u00eav\u00e9<\/a><\/p>\n\n\n\n

Le clavecin fran\u00e7ais sous les doigts d’Alexandre Tharaud<\/a><\/p>\n\n\n\n

Sonate, que me veux-tu ?<\/a><\/p>\n\n\n\n

Les go\u00fbts r\u00e9unis ou l’art du violon \u00e0 la fran\u00e7aise<\/a><\/p>\n\n\n\n

Cantates fran\u00e7aises et Love Power : d’un coeur charm\u00e9<\/a><\/p>\n\n\n\n

Grand si\u00e8cle. motets<\/p>\n\n\n\n

Destin\u00e9es <\/p>\n\n\n\n

La Naissance de V\u00e9nus<\/p>\n\n\n\n

Elisabeth Jacquet de la Guerre<\/p>\n\n\n\n

G\u00e9n\u00e9rations<\/p>\n\n\n\n

Le Salon de Chambure<\/p>\n\n\n\n

<\/div>\n\n\n\n

\u00ab\u00a0Baroque\u00a0\u00bb italien<\/h4><\/div>\n\n\n\n

Dixit Dominus : Haendel, Galuppi, Vivaldi<\/a><\/p>\n\n\n\n

Les Saisons : le monde dans un violon<\/a><\/p>\n\n\n\n

Nisi dominus<\/p>\n\n\n\n

Baroque rivalries<\/p>\n\n\n\n

Le Salon des Habsbourg<\/p>\n\n\n\n

Stabat Mater<\/p>\n\n\n\n

<\/p>\n\n\n\n

<\/div>\n\n\n\n

\u00ab\u00a0Baroque\u00a0\u00bb germanique<\/h4><\/div>\n\n\n\n

Buxtehude, Membra Jesu nostri<\/a><\/p>\n\n\n\n

God Save the King !<\/a><\/p>\n\n\n\n

Dixit Dominus : Haendel, Galuppi, Vivaldi<\/a><\/p>\n\n\n\n

\u00d4 temps ! Suspends ton vol…<\/a><\/p>\n\n\n\n

L’allegro, il penseroso ed il Moderato<\/a><\/p>\n\n\n\n

Les oratorios de Haendel : airs et duos<\/a><\/p>\n\n\n\n

Haendel, Il Trionfo del Tempo<\/a><\/p>\n\n\n\n

Esther, naissance de l’oratorio anglais, entre profane et sacr\u00e9<\/a><\/p>\n\n\n\n

Interpr\u00e9tation th\u00e9ologique de la cantate B.W.V. 106, actus tragicus<\/a><\/p>\n\n\n\n

Bach Battle. La grande audition de Leipzig<\/a><\/p>\n\n\n\n

Musique pour violon<\/p>\n\n\n\n

Solo Bach<\/p>\n\n\n\n

De Sch\u00fctz \u00e0 Bach<\/p>\n\n\n\n

Messe en si<\/p>\n\n\n\n

musiques pour viole<\/p>\n\n\n\n

<\/div>\n\n\n\n

XIXe<\/sup> si\u00e8cle<\/h4><\/div>\n\n\n\n

Hymne \u00e0 la joie, hymne europ\u00e9en<\/a><\/p>\n\n\n\n

Une croix au pays des elfes. Musiques chorales de Mendelssohn<\/a><\/p>\n\n\n\n

\u00ab\u00a0Pour les gens joyeux\u00a0\u00bb : Le Paradis et la P\u00e9ri de Schumann<\/a><\/p>\n\n\n\n

Christ au mont des oliviers<\/p>\n\n\n\n

Mahler ironique<\/p>\n\n\n\n

<\/div>\n\n\n\n

XXe<\/sup> et XXIe<\/sup> si\u00e8cles<\/h4><\/div>\n\n\n\n

L’accord\u00e9on, de Bach \u00e0 Piazzola<\/a><\/p>\n\n\n\n

Musiques am\u00e9ricaines : Barber, Bernstein, Copland, Reich<\/a><\/p>\n\n\n\n

Rencontre du Lied romantique avec le XXIe si\u00e8cle<\/a><\/p>\n\n\n\n

Ravel. Le Tombeau de Couperin<\/p>\n\n\n\n

Caplet, Conte fantastique<\/p>\n\n\n\n

Jeanne Leleu<\/p>\n\n\n\n

Rita Stohl, Musique vocale<\/p>\n\n\n\n

Rita Strohl, Musique de chambre<\/p>\n\n\n\n

Rita Strohl, Musique pour orchestre<\/p>\n\n\n\n

Levinas. La Passion selon Marc – Une Passion apr\u00e8s Auschwitz<\/a><\/p>\n\n\n\n

<\/div>\n\n\n\n

Harpe<\/h4><\/div>\n\n\n\n

Du clavecin vers la harpe, doctorat<\/a><\/p>\n\n\n\n

Belle \u00e9poque<\/a><\/p>\n\n\n\n

L’\u00e9laboration du r\u00e9pertoire idiomatique de la harpe : un chemin vers la virtuosit\u00e9<\/a><\/p>\n\n\n\n

Krumpholtz : breveter au service de l’expressivit\u00e9<\/p>\n\n\n\n

Concertos<\/p>\n\n\n\n

La version Grandjany du concerto de Haendel<\/p>\n\n\n\n

La harpe de Marie-Antoinentte<\/p>\n\n\n\n

La harpe reine<\/p>\n\n\n\n

Grandjany, Automne<\/p>\n\n\n\n

Gabriel Faur\u00e9, Impromptu<\/p>\n\n\n\n

Hasselmans, Petites pi\u00e8ces<\/p>\n\n\n\n

Hasselmans, La source<\/p>\n\n\n\n

Un fantastique instrumental<\/p>\n\n\n\n

Transcrire la musique baroque \u00e0 la harpe (1)<\/p>\n\n\n\n

Transcrire la musique baroque \u00e0 la harpe (2)<\/p>\n\n\n\n

Caplet, Conte fantastique<\/p>\n\n\n\n

<\/div>\n\n\n\n

Guides d’\u00e9coute<\/h3><\/div>\n\n\n\n

Frecobaldi, Cento partite sopra Passacagli<\/a><\/p>\n\n\n\n

Gottes Zeit ist der Alleberstenzeit : Cantate B.W.V 106<\/a><\/p>\n\n\n\n

Les Cyclopes, dans la forge de Rameau<\/a><\/p>\n\n\n\n

Enqu\u00eate au coeur d’Erlk\u00f6nig de Schubert, chevauch\u00e9e fantastique<\/a><\/p>\n\n\n\n

Danse avec les lutins d’Henriette<\/a><\/p>\n\n\n\n

<\/p>\n","protected":false},"excerpt":{"rendered":"

page en cours de reconfiguration Articles & programmes Renaissance Paysages flamands : Arcadie de la diaspora musicale au 16e si\u00e8cle […]<\/p>\n","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"_uag_custom_page_level_css":"","_monsterinsights_skip_tracking":false,"_monsterinsights_sitenote_active":false,"_monsterinsights_sitenote_note":"","_monsterinsights_sitenote_category":0,"site-sidebar-layout":"default","site-content-layout":"","ast-site-content-layout":"","site-content-style":"default","site-sidebar-style":"default","ast-global-header-display":"","ast-banner-title-visibility":"","ast-main-header-display":"","ast-hfb-above-header-display":"","ast-hfb-below-header-display":"","ast-hfb-mobile-header-display":"","site-post-title":"","ast-breadcrumbs-content":"","ast-featured-img":"","footer-sml-layout":"","theme-transparent-header-meta":"","adv-header-id-meta":"","stick-header-meta":"","header-above-stick-meta":"","header-main-stick-meta":"","header-below-stick-meta":"","astra-migrate-meta-layouts":"default","ast-page-background-enabled":"default","ast-page-background-meta":{"desktop":{"background-color":"var(--ast-global-color-4)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"tablet":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"mobile":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""}},"ast-content-background-meta":{"desktop":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"tablet":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"mobile":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""}},"footnotes":""},"class_list":["post-676","page","type-page","status-publish","hentry"],"yoast_head":"\nTextes et m\u00e9diation - 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