{"id":10,"date":"2019-03-03T22:53:34","date_gmt":"2019-03-03T21:53:34","guid":{"rendered":"http:\/\/constanceluzzati.com\/?page_id=10"},"modified":"2024-10-28T15:14:48","modified_gmt":"2024-10-28T14:14:48","slug":"a-propos-de","status":"publish","type":"page","link":"https:\/\/constanceluzzati.com\/index.php\/a-propos-de\/","title":{"rendered":"Biographie"},"content":{"rendered":"\n<p style=\"margin-top:var(--wp--preset--spacing--30);margin-right:0;margin-bottom:var(--wp--preset--spacing--30);margin-left:0\"><\/p>\n\n\n\n<div class=\"wp-block-uagb-blockquote uagb-block-024accec uagb-blockquote__skin-border uagb-blockquote__stack-img-none\"><blockquote class=\"uagb-blockquote\"><div class=\"uagb-blockquote__content\">\u00ab\u00a0La harpiste Constance Luzzati fait partie de ces musiciens-chercheurs qui ne sauraient se contenter de jouer le r\u00e9pertoire consacr\u00e9 \u00e0 leur instrument, et ne cessent donc de l\u2019\u00e9largir, \u00e0 travers la cr\u00e9ation pure ou la transcription.\u00a0\u00bb <\/div><footer><div class=\"uagb-blockquote__author-wrap uagb-blockquote__author-at-left\"><cite class=\"uagb-blockquote__author\">Sophie Bourdais, <em>T\u00e9l\u00e9rama<\/em><br><\/cite><\/div><\/footer><\/blockquote><\/div>\n\n\n\n<p style=\"margin-top:var(--wp--preset--spacing--30);margin-right:0;margin-bottom:var(--wp--preset--spacing--30);margin-left:0\">L\u2019\u00e9largissement du r\u00e9pertoire de la harpe, \u00e0 travers la transcription de musique ancienne et la cr\u00e9ation contemporaine, constitue le terrain de jeu favori de la harpiste Constance Luzzati. Poursuivant le travail amorc\u00e9 dans le cadre de son doctorat d\u2019interpr\u00e8te concernant la transcription pour harpe du r\u00e9pertoire de clavecin fran\u00e7ais du XVIII<sup>\u00e8me <\/sup>si\u00e8cle, elle a ainsi adapt\u00e9 \u00e0 la harpe les \u0153uvres pour clavecin de Rameau, Couperin, Royer, Forqueray, Duphly, Scarlatti et Bach<em>. Enharmonique<\/em> (2023), album solo consacr\u00e9 \u00e0 Rameau et <em>Jupiter<\/em> (2024) sont salu\u00e9s par la critique, de <em>Classica<\/em> \u00e0 <em>T\u00e9l\u00e9rama<\/em> et <em>M\u00e9diapart<\/em>. \u00a0\u00bb On l\u2019aura compris, voici un album absolument \u00e9tonnant, remarquable autant par l\u2019originalit\u00e9 de sa conception que l\u2019excellence de sa r\u00e9alisation. Cette petite heure pass\u00e9e en compagnie de Constance Luzzati \u2013 mais aussi de Caroline Delume \u2013 et de ces ma\u00eetres fran\u00e7ais du clavecin et de la viole nous convainc autant qu\u2019elle nous ensorcelle, offrant une d\u00e9monstration magistrale de l\u2019\u00e9vidence d\u2019adopter ce r\u00e9pertoire \u00e0 la harpe.\u00a0\u00bb (Stefan Wandriesse, <em>Baroquiades<\/em>)<\/p>\n\n\n\n<p style=\"margin-top:var(--wp--preset--spacing--30);margin-right:0;margin-bottom:var(--wp--preset--spacing--30);margin-left:0\">D\u00e9dicataire des \u0153uvres pour harpe seule de Bruno Mantovani et \u00c9dith Lejet, elle cr\u00e9e en 2023-24 les \u0153uvres de Vincent Trollet et Josephine Stephenson, avec l\u2019ensemble Regards et le Trio Hayd\u00e9e. Elle a enregistr\u00e9 r\u00e9cemment <em>La montagne magique<\/em> (Cascavelle, 2023) avec le quatuor Lontano et <em>Charlotte Sohy, compositrice de la Belle-\u00c9poque<\/em>&nbsp;(La bo\u00eete \u00e0 p\u00e9pites, 2022) avec la fl\u00fbtiste Mathilde Calderini et le quatuor Herm\u00e8s.<\/p>\n\n\n\n<p style=\"margin-top:var(--wp--preset--spacing--30);margin-right:0;margin-bottom:var(--wp--preset--spacing--30);margin-left:0\">Constance Luzzati a eu l\u2019occasion de faire partager au public ses r\u00e9pertoires favoris en soliste \u00e0 Paris (Philharmonie, Maison de la Radio, Petit Palais), dans les festivals fran\u00e7ais (Un temps pour elles, Musicales d\u2019Assy, Folles journ\u00e9es de Nantes, Fl\u00e2neries de Reims, Festival de Besan\u00e7on), ainsi qu\u2019\u00e0 l\u2019\u00e9tranger (Europe, Japon, \u00c9tats-Unis). Laur\u00e9ate de six concours internationaux, elle a en France \u00e9t\u00e9 distingu\u00e9e par les Avant-sc\u00e8nes (CNSMDP), Cultures France, la Fondation Marcel Bleustein-Blanchet et le prix Tissier-Grandpierre. <\/p>\n\n\n\n<p style=\"margin-top:var(--wp--preset--spacing--30);margin-right:0;margin-bottom:var(--wp--preset--spacing--30);margin-left:0\">Le claveciniste Kenneth Weiss et les harpistes Isabelle Moretti, Germaine Lorenzini et Mara Galassi ont \u00e9t\u00e9 ses mentors, notamment au CNSMDP o\u00f9, avant le 3<sup>e<\/sup> cycle de harpe, elle a obtenu les prix de harpe, musique de chambre, histoire de la musique, analyse, culture musicale et esth\u00e9tique.<\/p>\n\n\n\n<p style=\"margin-top:var(--wp--preset--spacing--30);margin-right:0;margin-bottom:var(--wp--preset--spacing--30);margin-left:0\">Elle enseigne l\u2019histoire de la musique au Conservatoire de Paris \u2013 CNSMDP depuis 2021. Ancienne \u00e9l\u00e8ve du cours d\u2019art dramatique Florent, elle a int\u00e9gr\u00e9 les mises en sc\u00e8ne d\u2019Emmanuel Demarcy-Motta et Jacques Vincey, et cr\u00e9\u00e9 des spectacles associant musique, texte et arts du cirque, dont la <em>Voli\u00e8re magique<\/em> (2023), pour harpe et corde lisse. On pourra l&rsquo;entendre en 2024-25 \u00e0 la Philharmonie de Paris, au Th\u00e9\u00e2tre des Bouffes du Nord, au Mus\u00e9e d&rsquo;Orsay, \u00e0 l&rsquo;Atelier lyrique de Tourcoing, \u00e0 la Maison de la Culture \u00e0 Grenoble, \u00e0 la Chapelle de la Trinit\u00e9 \u00e0 Lyon, au Th\u00e9\u00e2tre Montansier \u00e0 Versailles, mais \u00e9galement sur les ondes de France Musique et Radio Classique.<\/p>\n\n\n\n<p><\/p>\n\n\n\n<p><\/p>\n\n\n\n<div class=\"wp-block-file alignleft\"><a id=\"wp-block-file--media-48cfce82-e568-4dc6-bb89-e201f9a94fd0\" href=\"http:\/\/constanceluzzati.com\/wp-content\/uploads\/2022\/09\/Constance-Luzzati-english-Biography.pdf\">Constance-Luzzati-english-Biography<\/a><a href=\"http:\/\/constanceluzzati.com\/wp-content\/uploads\/2022\/09\/Constance-Luzzati-english-Biography.pdf\" class=\"wp-block-file__button wp-element-button\" download aria-describedby=\"wp-block-file--media-48cfce82-e568-4dc6-bb89-e201f9a94fd0\">T\u00e9l\u00e9charger<\/a><\/div>\n","protected":false},"excerpt":{"rendered":"<p>L\u2019\u00e9largissement du r\u00e9pertoire de la harpe, \u00e0 travers la transcription de musique ancienne et la cr\u00e9ation contemporaine, constitue le terrain [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":6086,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"_uag_custom_page_level_css":"","_monsterinsights_skip_tracking":false,"_monsterinsights_sitenote_active":false,"_monsterinsights_sitenote_note":"","_monsterinsights_sitenote_category":0,"site-sidebar-layout":"default","site-content-layout":"","ast-site-content-layout":"","site-content-style":"default","site-sidebar-style":"default","ast-global-header-display":"","ast-banner-title-visibility":"","ast-main-header-display":"","ast-hfb-above-header-display":"","ast-hfb-below-header-display":"","ast-hfb-mobile-header-display":"","site-post-title":"","ast-breadcrumbs-content":"","ast-featured-img":"","footer-sml-layout":"","theme-transparent-header-meta":"","adv-header-id-meta":"","stick-header-meta":"","header-above-stick-meta":"","header-main-stick-meta":"","header-below-stick-meta":"","astra-migrate-meta-layouts":"default","ast-page-background-enabled":"default","ast-page-background-meta":{"desktop":{"background-color":"var(--ast-global-color-4)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"tablet":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"mobile":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""}},"ast-content-background-meta":{"desktop":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"tablet":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"mobile":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""}},"footnotes":""},"class_list":["post-10","page","type-page","status-publish","has-post-thumbnail","hentry"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v25.2 - 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